
While Edward Hicks’ name may be unfamiliar to you, I’m betting you will immediately recognize his work. From 1820 until his death in 1849, this Quaker preacher and American folk artist painted the same scene over and over again—perhaps as many as a hundred times, although only sixty-two pictures survive. Likely you have seen at least one of them; the one depicted above is in the Carnegie Museum of Art in Pittsburgh.
In each painting, little children stand solemn, unmenaced, and unafraid among lions, wolves, and bears, accompanied by equally unfazed sheep and cattle. Each face, human and animal, gazes calmly out of the canvas, meeting our eyes in serene invitation. To each painting, Hicks gave the same title: “The Peaceable Kingdom.”
Hicks drew this imagery from Isaiah (Isa. 11:1–10; 65:17–25):
The wolf will live with the lamb,
and the leopard will lie down with the young goat;
the calf and the young lion will feed together,
and a little child will lead them.
The cow and the bear will graze.
Their young will lie down together,
and a lion will eat straw like an ox.
A nursing child will play over the snake’s hole;
toddlers will reach right over the serpent’s den (Isa. 11:6-8; compare 65:25).
But Isaiah’s vision is likely drawn in turn from the peaceful, ordered world depicted in the first of the two Genesis accounts of creation, Genesis 1:1–2:4a, in which there are neither predators nor prey:
Then God said, “I now give to you all the plants on the earth that yield seeds and all the trees whose fruit produces its seeds within it. These will be your food. To all wildlife, to all the birds in the sky, and to everything crawling on the ground—to everything that breathes—I give all the green grasses for food.” And that’s what happened (Gen. 1:29–30).
Of course, neither of these passages look like the world in which we live! Both the world as it one day would be in Isaiah’s prophecy, and the world as it once was in Genesis, are Gegenwelten: imagined ideal counterworlds of calm and perfect order. In this dream of life as it should be, once was, and will be again, God’s world is a peaceable kingdom, where bloodshed and violence play no role.
Often, as in the painting in Pittsburgh’s Carnegie Museum, Hicks included in the background of his “Peaceable Kingdom” paintings William Penn making a treaty with the Lenni Lenape Indians in 1682 (see the detail above). But why? What does this have to do with Isaiah’s vision of the peaceable kingdom? To answer that question, we need to look more closely at Isaiah 11:1-10: the Hebrew Bible reading for this second week of Advent.
Likely, this passage comes from the mid-8th century BCE: after the depredations of the Syro-Ephraimite War in Judah, and the fall of Israel and deportation of its people (722 BCE; see Isa 7–8). In the wake of these tragedies, Isaiah describes his people and their leadership as a tree chopped down to the ground. But, the prophet declares, there is still life in the stump!
A shoot will grow up from the stump of Jesse;
a branch will sprout from his roots (Isa 11:1).

Isaiah’s vision of Judah’s resuscitation is also a vision of the renewal of kingship. Jesse was the father of David, ancestor of Judah’s kings (see Ruth 4:17–22). This passage sets forth the prophet’s hope for just rule: his idealistic vision of what the king should be, and one day would be;
The LORD’s spirit will rest upon him,
a spirit of wisdom and understanding,
a spirit of planning and strength,
a spirit of knowledge and fear of the LORD.
He will delight in fearing the LORD.
He won’t judge by appearances,
nor decide by hearsay.
He will judge the needy with righteousness,
and decide with equity for those who suffer in the land.
He will strike the violent with the rod of his mouth;
by the breath of his lips he will kill the wicked.
Righteousness will be the belt around his hips,
and faithfulness the belt around his waist (Isa 11:2–5).
For Isaiah, just government in the social realm reflects divine order in the natural realm (see Psalm 19), and so he dreams of a world in which (as in Genesis 1:1–2:4a!) nature reflects God’s intent for creation perfectly. Although his vision comes from a time of devastation and despair, for Isaiah despair always yields to hope; God’s judgment is always tempered by God’s mercy.
The last verse of this passage looks out to the nations–as the Quaker painter realized:
On that day, the root of Jesse will stand as a signal to the peoples. The nations will seek him out, and his dwelling will be glorious (Isa 11:10).
That is why Hicks places William Penn and the Lenni Lenape in his depiction of Isaiah’s peaceable kingdom. God’s peace and justice are not the property of any one nation or race, but are given to unite the whole world. Further, Hicks believed that Isaiah’s vision was more than a dream for someday. He saw the treaty with the Lenni Lenape as evidence that God was already at work in the world, bringing God’s peace and justice to fruition here and now. Hicks heard that hope in the account of Isaiah’s vision.

Paul heard it, too! For this apostle to the Gentiles, Isaiah’s vision demonstrated that God’s grace extends beyond the borders of Israel. In the epistle for this Sunday (Romans 15:4-13), Paul quotes Isaiah 11:10 (it sounds a bit different, as he is quoting from the Septuagint, the Greek translation of that passage):
And again, Isaiah says,
There will be a root of Jesse,
who will also rise to rule the Gentiles.
The Gentiles will place their hope in him (Rom 15:12).
For Paul, of course, the branch from the root of Jesse is Jesus, who has fulfilled Isaiah’s dreams of what a king should be, and who comes, as Isaiah envisioned, to all peoples.
Romans is an unusual epistle. Usually, Paul wrote to churches he had established himself or had already visited, responding directly to the circumstances and concerns of each particular community. But at the time he wrote to the Romans, Paul had never been to Rome (see Rom 1:8-15). Why then did he write this letter, to people he had never met?
New Testament scholar Robert Jewett proposes that Paul wrote Romans as an ambassador for Christ, seeking to reconcile the estranged gentile (non-Jewish) and Jewish Christian communities in Rome. So, Paul begins by asserting his confidence that Jesus has come to and for Jew and Gentile alike:
I’m not ashamed of the gospel: it is God’s own power for salvation to all who have faith in God, to the Jew first and also to the Greek (Rom 1:16)
He returns to this theme in Sunday’s epistle:
So welcome each other, in the same way that Christ also welcomed you, for God’s glory. I’m saying that Christ became a servant of those who are circumcised for the sake of God’s truth, in order to confirm the promises given to the ancestors, and so that the Gentiles could glorify God for his mercy (Rom 15:7-9).
Paul is persuaded that the Gospel is for all people:
May the God of endurance and encouragement give you the same attitude toward each other, similar to Christ Jesus’ attitude. That way you can glorify the God and Father of our Lord Jesus Christ together with one voice (Rom 15:5-6).
Echoing Paul’s call to unity and inclusion, Jurgen Moltmann, who died last year at 98, warned Christians not to be seduced by nationalism:
The church of Christ is present in all the people on earth and cannot become ‘a national religion’. The church of Christ ecumenically embraces the whole inhabited earth. She is not a tribal religion, nor a Western religion, nor a white religion, but the church of all humanity. The church of Christ is not national, but it is a church of all the nations and humanity.
Moltmann’s warning came from grim experience. His famous theology of hope had its beginnings when he was a German POW in England, having seen first-hand in Nazi Germany the destructive consequences of a church allied with a state defined by exclusion.

In the Gospel for this second Sunday of Advent (Matthew 3:1-12), our attention is drawn to John the Baptist, the forerunner of the Christ, who famously baptized all comers: all who repented of their sins. The gospel is not the property of any nation, or race, or group, but is given to the whole world. To the religious leaders, so proud of their distinct heritage, John issued this warning:
Produce fruit that shows you have changed your hearts and lives. And don’t even think about saying to yourselves, Abraham is our father. I tell you that God is able to raise up Abraham’s children from these stones. The ax is already at the root of the trees. Therefore, every tree that doesn’t produce good fruit will be chopped down and tossed into the fire (Matt. 3:8–10).
John’s fiery denunciation of those who had thought themselves to be beyond reproach, and his summons to righteous action, may seem a strange fit with Paul and Isaiah’s visions of peace and hope–but remember William Penn in the corner of Hicks’ painting! In Isaiah 11, the peaceable kingdom follows a depiction of just and wise rule (Isa. 11:1–5). Jesus taught us to pray for God’s kingdom, and for the realization of God’s good will “on earth as it’s done in heaven” (Matt 6:9-13)–that is, not just someday, but today. As the rabbis say, we are called to tikkun ‘olam: the healing of the world. But the healing of our world cannot be accomplished apart from repentance, followed by concerted, political action. Our choices matter, friends, for good or for ill.
AFTERWORD:
Thanks to St. Paul’s friend Carolyn Kelley Evans, a docent at the Carnegie Museum of Art in Pittsburgh, for letting me know that the picture I originally shared was not the version of Hicks’ “Peaceable Kingdom” in that museum after all, and for sharing with me an image of the actual painting, on view in Gallery 17. That error is now corrected!






































